Arena shooters have always been shot with a dynamic soundtrack, and all the way it was a story about how the player “controls” the music: when he fights, a powerful burst plays, when he leaves the battle, the tracks become silent. But the rules have changed: in Bullets Per Minute, the music now controls the player.
BPM: BULLETS PER MINUTE
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I answered on YouTube, I’ll duplicate it here. I won’t change the weather here, I more than agree with Vasya. I would have expressed this in different words, but I would definitely have come to the same conclusions. Maybe the problem is, of course, that I’m not a fan, but something tells me that this time Croteam even wiped the fans’ feet.
I love games with good music, but I’m afraid my eyes won’t be able to handle this eye-popping picture. Not only did I play, it was hard to even watch the review. I’m generally silent about pixel mode.
Mouzon sounds great. I love bagels. We should try it, I’m not sure it will last for 700 hours like Isaac. But variety is good. Thanks for the review!
Models from Paragon make this game so https://kingcasino-online.co.uk/ sad. It’s strange to see familiar characters in such a role, especially with regard to now enemy mobs, and once independent Persians..
Well, I stand by my argument from the review – they cut each genre to make it all work as a comprehensive product. Yes, there are better bagels. But there are no better rhythm shooter roguelikes and, I think, there won’t be for a very long time)
Well, how come there’s nothing if it’s both a shooter and a bagel?. The rhythm feature itself is very captivating and adds replayability. But this is also a very good (just not the best) shooter with a pleasant impact and a decent challenge. But it’s also a roguelike, with limited item rotation, but I still find some trading combinations (15+ hours of play). In general, I speak for myself, but the experience seems quite long lasting to me. But not like in Isaac, yes)
Let me note that this is:
FPP + Rogue-Lite + Rythm gameplay.
This is a Rogue-lite purebred, not a Rogue-Like, post-script.
The game wanders somewhere between an experiment/prototype and a completed product, the music and mechanics are ready – but the appearance, as Mr. Burdukov noted, is not, both the models and the effects.
The guys just need to make a sequel and get rid of other people’s assets, the eye-catchingness is really present, which I hope will be corrected in the new game. it would be a tragedy if they quit work… a couple more tens of meters and there will be a masterpiece.
After five hours of playing, I got the impression of a certain stinginess in terms of content. And the overall progress is very conditional, and the characters are almost the same, and there is not enough variety in terms of guns and mobs. Didn’t it seem to you, Dima, that somehow they weren’t given enough?? Especially compared to honest bagels
It seems that the graphics were peeked at from AMID EVIL. Wonderful old school, but the acidity of the colors there (though the colors were more varied) also made my eyes water..
At first I thought that YouTube had ruined this video, like with Tsushima..
P.S. By the way, I’m not a fan of rhythm games, but what happens if you don’t get into the rhythm?? Gameover after 5 punctures?
At 75% saturation becomes more or less, but yes, they definitely need to be corrected. Within an hour my eyes were tired, as if I had been sitting in Doom for 10 hours.
It seems to me that in such games you will get very tired of the first level soundtrack at a certain time, especially since it is looped over a relatively small area. In CotND, at least the track is long and not looped – after a full track the player is forced to the next level.